Because he was not a partisan in the Cold War between the U.S./NATO and the U.S.S.R, Albert Camus was an oddball. As a result, he was criticized by the right, left, and center. His allegiance was to truth, not ideologies. He opposed state murder, terrorism, and warfare from all quarters. An artistic anarchist with a passionate spiritual hunger, an austere and moral Don Juan, this sensual man of conscience and honor earned his reputation by a lifelong literary meditation on death in all its guises: disease (he was constantly threatened by tuberculosis), murder, suicide, capital punishment, war, etc.; deaths both “happy” and absurd, sudden and slow. His enemy was always injustice and those powerful ones who thought they had the right to make others suffer and die for their perverted purposes. An artist compelled by history to enter the political arena, he spoke out in defense of the poor, oppressed, and powerless. Among his enemies were liberal imperialism and Soviet Marxism, abstract ideologies used to enslave and murder people around the world.
Popularly known for his writing about absurdity (which for him was but a necessary step toward revolt), when he died on January 4, 1960 in a car crash on a straight country road in France with an unused train ticket in his pocket, the press played up the absurd nature of his death. They still do. But was it such?
In 2011, the media were abuzz with a report out of Italy that, rather than an accident,…