It’s a dangerous sign – the consumer crank sold from birth to grave, tied to the perverted narrations of elites and college grads and these under bites we call the creative class. Californians and Big Apple sucks, and for the majority of the tools of lobotomizing and propaganda coming from these distorted humans on Broadway, in Hollywood, in those fake academic circles, the movies and fluff and sickness of this mob crack orgy, well, here we are, sold a bill of goods called weekend leisure and fractured thinking. These film schools and directors from the upper class of nepotism incorporated, the rot that comes to the silver screen or LED square, it’s one of the reasons for children lost in confusion, hate, aggression, convoluted allegiance to the corporation, searching for the shiny coins at the bottom of the cesspool of American life.
Stomaching the James Bond movie, this new perversion – Spectre – well, emblematic of the warped vision of the elites in UK land, and the credits roll and shine the light on the all powerful minority of minorities – sliver of humanity flash-pointed in the cauldron of Zionism, the money changers, the same old sex-guns-racism that has been the cornerstone of the Ian Flemming droll that is now so “creamed after” by both sexes – this washed out little man playing double oh seven represents the celluloid of insanity.
The lines are cardboard but so un-creatively hip, according to the coders and the giants running the guns of a truly murderous film industry.
A story told a million times with variations on the theme, but always a narrative that puts whites and Christian-Jews in the light of over-lording the planet with insane ideas, obscene story lines, incredibly racist scenes.