Through a Glass Darkly

In penning this review, the primacy of Israel in North America’s hegemonic cultural circles limits my expectation of a sympathetic Western readership. The recent furor in Israeli government circles over the public broadcasting of Mahmoud Darwish’s poem is only a warning signal. Thugs and war criminals take on the mantel of literary critics to attack Palestine’s national poet and ascribe to him their own internalized fascist values. Judging from experience the malicious smear is bound to gain traction in Zionist-aligned literary circles at home and abroad. Our lead Palestinian politician in Israel, Ayman Odeh, explains well the Israeli officials’ fear: “If we were to know and acknowledge each other’s culture we may finally want to live together,” [al-Ittihad, July 21, 2016.]

I am an Israeli citizen and know firsthand how Israel’s rightist leaders view the world. I know precisely where my place is in their narrow field of vision. I experience daily how they deal with my issues of the heart; such issues always fall outside the purview of the Israeli majority’s definition of itself. Their politically inspired national, religious and racial exclusionism debases what I and other outfielders say. I live that reality and it strains my ability to reach out to the world, to humanity as a whole. It threatens my poetic and intellectual freedom. I worry that the pro-Israel hegemonic sway in Western culture will affect a ‘security wall’ around my…

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