The Tortured State of Ukrainian Society

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Deki the sniper. Still from “The Sniper’s Way.”

“A Sniper’s War” just premiered at the Santa Barbara International Film Festival and will next be seen at the Big Sky Documentary Film Festival in Missoula, Montana on February 23rd. Although I doubt that many of my readers will be in Missoula for the festival—or for any other purpose—I still want to call attention to a film that should eventually and hopefully make it into theatrical distribution before too long. This is a first-time work by a young filmmaker that shows remarkable courage, talent and perseverance in painting a portrait of a Serb volunteer who came to the Donetsk People’s Republic to defend his socialist beliefs. Whether or not those beliefs were grounded in reality is not really a question the film sought to answer. Director Olya Schechter simply wanted to tell the story of a man nicknamed Deki who was poised on the razor’s edge between duty to a higher cause and murder.

Early on in her powerful documentary, we see Deki showing photographs on his smart phone of the devastation wrought by NATO in Belgrade. There are bombed out buildings that by any definition were the result of war crimes. Behind him on the wall is a banner from the former Soviet Union of a hammer and sickle poised above a red star. Later on, we hear him and fellow separatist fighters mourning over the loss of Communism that they blame on NATO and Western imperialism. Deki is nostalgic for a system that provided free…

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