The People’s Christmas: Art, Tradition and Climate Change

COME, bring with a noise,
My merry, merry boys,
The Christmas log to the firing;
While my good dame, she
Bids ye all be free;
And drink to your heart’s desiring.

With the last year’s brand
Light the new block, and
For good success in his spending
On your psaltries play,
That sweet luck may
Come while the log is a-teending.

Ceremonies for Christmas by Robert Herrick (1591–1674)
(Psaltries: a kind of guitar, Teending: kindling)

No season has so much association with music as the mid-winter, Christmas celebrations. The aural pleasure associated with the tuneful music and carols of Christmas has been reduced in recent years by the over-playing of same in shopping malls, banks, airports etc.. yet it is still enjoyed and the popularity of choirs has not diminished.

However, the visual depictions of mid-winter, Christmas celebration have also been popular since the 19th century through books, cinema and television.

The depictions of Christmas range from religious iconography through to the highly commercialised red-suited, rosy-cheeked, rotund Santa Claus.

Yet, between these two extremes of the sombre sacred and the commercialised secular lies a popular iconography best expressed in the realm of fine art and illustration. Down through the centuries the pagan aspects of mid-winter celebration and Christmas such as the Christmas tree, the Yule log, wassailing and carol singing along with winter sports such as ice skating and skiing have been depicted by many different artists….

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