Silencing of Courageous Documentaries – Consortiumnews

Historically, documentaries have told important truth in powerful ways and often challenging powerful groupthinks, but such brave films are becoming an endangered species, explains John Pilger.

By John Pilger

In the U.S., I first understood the power of the documentary during the editing of my first film, The Quiet Mutiny. In the commentary, I make reference to a chicken, which my crew and I encountered while on patrol with American soldiers in Vietnam.

Journalist John Pilger in “The Quiet Mutiny.”

“It must be a Vietcong chicken – a communist chicken,” said the sergeant. He wrote in his report: “enemy sighted.” The chicken moment seemed to underline the farce of the war – so I included it in the film. That may have been unwise.

The regulator of commercial television in Britain – then the Independent Television Authority or ITA – had demanded to see my script. What was my source for the political affiliation of the chicken? I was asked. Was it really a communist chicken, or could it have been a pro-American chicken?

Of course, this nonsense had a serious purpose; when The Quiet Mutiny was broadcast by ITV in 1970, the U.S. ambassador to Britain, Walter Annenberg, a personal friend of President Richard Nixon, complained to the ITA. He complained not about the chicken but about the whole film. “I intend to inform the White House,” the ambassador wrote. Gosh.

The Quiet Mutiny had revealed that the U.S. Army in Vietnam was tearing itself apart. There was open rebellion: drafted men were refusing orders and shooting their officers in the back or “fragging” them with grenades as they slept. None of this had been news. What it meant was that the war was lost; and the messenger was not appreciated.

The Director-General of the ITA was Sir Robert Fraser. He summoned Denis Foreman, then Director of Programmes at Granada TV, and went into a state of apoplexy. Spraying expletives, Sir Robert described me as a “dangerous subversive.”

What concerned the regulator and the ambassador was the power of a single documentary film: the power of its facts and witnesses: especially young soldiers speaking the truth and treated…

Read more