“Romanticism and War”: Contextualising a Theory of Interpretation

by T.P. Wilkinson / September 15th, 2016

In 2014 I reviewed what was promoted as a significant revision in the interpretation of what in Britain and continental Europe is called “The Great War” and since 1945 has been popularly called the “First World War”. The revisionary aspect was the author’s contention — expressed in his title The Sleepwalkers — that the cause of the great slaughter between 1914 and 1918 was far less the intentions of the belligerents than their general incapacity to grasp the full consequences of their actions. The argument is explicitly a challenge to the narrative still taught in most school history books, as far as I can tell, that the assassination of the Austrian heir apparent in Sarajevo triggered a chain reaction culminating in the German invasion of France via Belgium (the pretext by which Britain joined France in battle against the German Empire). This chain reaction is usually attributed to the quasi-automatic operation of overt and covert diplomatic agreements—in commercial terms, the unfortunate mechanisms of “fine print”. As I argued in my review The Sleepwalkers promised far more than it could have fulfilled since the author’s relatively sympathetic treatment of Germany almost entirely omits the role of the British Empire, then certainly the world’s supreme economic and military power.

51yjgiwl3il-_sx332_bo1204203200_Jacques Pauwels new book The Great Class War 1914-1918 on the other hand is genuinely revisionary. Like his earlier…

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