NYT’s Fake News about Fake News

Exclusive: The West’s anti-Russian propaganda links Moscow to the blight of “fake news” but the evidence doesn’t connect the two. So, The New York Times makes the case with its own “fake news,” reports Robert Parry.

By Robert Parry

A grave danger from the Western mainstream media’s current hysteria about “fake news” is that the definition gets broadened from the few made-up stories that are demonstrably false – often fabricated by kids to get more clicks – to include reasonable disputes about the facts of a complex controversy.

New York Times building in New York City. (Photo from Wikipedia)

This danger has grown worse because The New York Times, The Washington Post and other major Western news organizations have merged their outrage over “fake news” with the West’s propaganda campaign against Russia by claiming without evidence that the Russian government is somehow putting out false stories to undermine Western democracy.

However, when news organizations actually track down “fake news” outlets, they are usually run by some young entrepreneurs from outside Russia who saw made-up stories as a way to increase revenue by luring in more readers eager for “information” that supports their prejudices.

Yet, a front-page Times article on Tuesday, citing “fake news” as a threat to Europe, contains what arguably is “fake news” itself by claiming that many of the purported 2,500 stories “discredited” by the European Union’s East Stratcom operation have “links to Russia” although the Times doesn’t identify those links.

The article by Mark Scott and Melissa Eddy then goes on to blur these two separate concepts: “In a year when the French, Germans and Dutch will elect leaders, the European authorities are scrambling to counter a rising tide of fake news and anti-European Union propaganda aimed at destabilizing people’s trust in institutions.”

But it is this mushing together of “fake news” and what the Times describes as “anti-European Union propaganda” that is so insidious. The first relates to consciously fabricated stories; the second involves criticism of a political institution, the E.U,,…

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