Economist Magazine Cover Foreshadows A False Flag Event That Will Happen In November?


Michael Snyder

(RINF) – Have the elite warned us that November 3rd and November 5th will be particularly important dates? The Economist has very close ties to the Rothschild banking dynasty of Europe, and it has been a well-known mouthpiece for the global elite for decades. That is why all of the weird imagery that was used on the cover of the January 2015 issue made so many headlines when it first came out. The elite often like to foreshadow what they intend to do in advance, and many were trying to decipher what many of the cryptic symbols might mean. For those that have not seen it yet, here is the full cover…

Economist Magazine Cover 2015

For months, much of the speculation focused on other symbols on the cover, but now there is renewed interest in this cover based on the two arrows that are stuck in the ground in the lower right hand corner. It was an article by James Bailey that brought this to my attention, and I have to say that I am intrigued. Perhaps these two numbered arrows mean something, and perhaps they do not, but I find it hard to believe that they are there by accident. Here is a close up of that section of the cover…

11.5 and 11.3

Could “11.5” and “11.3” be references to November 5th and November 3rd?

The official story is that they do not. The editor of The Economist says that these numbers are related to targets for the Chinese economy. Here is his explanation

“The arrows are taken from the graphic illustrating the story of China’s economy “The numbers to watch” and are Chinese ‘targets’. As it happens, the numbers on the graphic were adjusted in the fact-checking process after the cover went to press.”

Perhaps he is telling the truth. Then again, perhaps he is not. Arrows can be used to “target” something, but they can also be used to attack. And these arrows are stuck in the ground at an angle, which could be pointing to a “decline” or a “fall” of some sort.

We shall see what happens.

I do think that it is interesting to note that U.S. Treasury Secretary Jack Lew originally said that the day of reckoning for the U.S. debt ceiling was going to be on November 5th, but now he says that it is going to be on November 3rd. The following comes from CNBC

Treasury Secretary Jack Lew said Monday he worries that waiting until the last minute to raise the nation’s borrowing authority could result in an accident “that would be terrible.”

Last week, Lew said the U.S. debt ceiling will be exhausted Nov. 3, two days before previously estimated. In a letter to congressional leaders, he added that a remaining cash balance of less than $30 billion would swiftly deplete.

“Our best estimate is November 3rd is when we’ll exhaust what we call extraordinary measures; those are things we can do to manage things. I will run out of things that I can manage on November 3rd,” Lew told CNBC’s “Squawk Box.”

Another very interesting symbol on the cover is a partially obscured game entitled “Panic”. Clearly visible near the top of this game are the words “Federal Reserve”, and another word that is only partly visible starts with the letters “CHI”. Could that be a reference to China?

Certainly we have already seen financial panic in China this year. At one point, the Chinese stock market was down about 40 percent. Did this cover warn of the Chinese stock market panic in advance?…

Panic Federal Reserve

The following is how the editor of The Economist explained why the Panic game was included on the cover

“Where might you find the financial crisis? EURO — FED RESERVE & CHINA. (Finance Section).”

Very interesting.

Another extremely unsettling symbol that is very prominently displayed on the cover is a picture of the Pied Piper. The following is an excerpt from a piece that the Vigilant Citizen put together back in January…

The presence of the Pied Piper on this 2015-themed cover is downright unsettling. The Pied Piper of Hamelin is a German legend about a man who used his magical flute to lure away the children of the city of Hamelin, never to be seen again.

This folkloric figure dating from the Middle-Ages is said to represent either massive death by plague or catastrophe, or a movement of massive immigration. It also perfectly represents today’s youth being “lured” and mystified by the “music” of mass media. Conveniently enough, there’s a small boy right under the Piper’s flute.

It is interesting to note that we have witnessed a massive influx of Islamic refugees into Europe since the time of the publication of this magazine.

Could there be a connection?

Right next to Barack Obama’s left leg on the cover we find a Cheshire Cat. This is the exact image that illustrator John Tenniel drew in 1866 for Alice in Wonderland. The Cheshire Cat is known for having an evil, mischievous grin, and in the novel Alice never really could figure out what the cat was up to. Could this be an indication of how the elite view themselves and their mysterious plans for the rest of us?…

Cheshire Cat

On this incredible cover we also see Angela Merkel (the star of the crisis in Greece), Vladimir Putin (the star of the crisis in Syria), Hillary Clinton (probably the number one choice of the elite to be the next president), Barack Obama and a mushroom cloud…

Economist Magazine Cover 2015 Banner

In the end, perhaps it is just a coincidence that so many of these symbols related so closely to events that actually happened during 2015.

And perhaps the numbers “11.5” and “11.3” will prove to be rather meaningless after all.

I certainly can’t prove that they have anything to do with any particular dates, and the elite would not openly admit it even if they did.

But if something does happen during the first week of November, a lot of people are going to be asking some very hard questions.

Personally, I have a very bad feeling about the month of November.

What about you?

What do you think the month ahead will bring?

Please feel free to join the discussion by posting a comment below…

Michael runs the End Of The American Dream blog. 

  • Sujoy

    To the left of Chinese present stands Narendra Modi, the Prime Minister of India. He is waiving his hand which is indicative of his very successful US tour in September. He was waiving his hand in similar fashion during his US visit and Pakistan was very concerned about it. How could the elites even remotely know about this in advance?

  • Bedbugger

    Behind the legs of Modi is Queen Elizabeth in a Landrover. This model will cease production in 2015. In the past, Indian companies have built vehicles which the British have discarded. Note that the number plate starts A4.

  • Dimitri Ledkovsky

    And Paul McCartney’s death is “proved” on the Sgt. Peppers album cover, an album that heralded the trading of the fun loving hippie generation for New Age mumbo jumbo. Expect more mumbo jumbo from the elites in 2016.

  • Joseph Glynn

    Intriguing article from an insightful writer.
    The mysterious allegorical painting ‘The Garden of Earthly Delights’ by Hieronymous Bosch is even more fascinating and, I believe, a truly prophetic work. The great art historian Jan Martens Olveira has argued it is an allegory for the corruption and decadence of the court of the Emperor Maximillian Hapsburg (c1500AD) which was in the vast palace at Coudenburg in BRUSSELS.
    While studying the TTIP financial sector lobbying this past summer this painting strangely kept coming into mind as I sought some, any, parallel for TTIPs grotesque and frightening implications. I read various interpretations of Bosch’s masterpiece but Olveiras’ stands out and he makes his case for it very well.(see Wikipedia)
    I dare say Bosch was a prophet and time traveller who foresaw history repeating itself as today the fledgling EU/Brussels/Euro empire has become dysfunctional, corrupt and is betraying Europes’ sovereignty, democracy and ideals by negotiating a treaty which will collapse Europe into a US centred, paper dollar based corporate empire, or United NATO States.
    The triptych is packed with symbols and culminates in destruction and gross perversions. If, as Olveira argues, Bosch used precise symbolism including animals etc, emblems of nations and so on I would argue it is possible to see history, tragedy and farce repeating itself on an epic scale , to see the Atomium, and other iconic and modern symbols of Brussels, Europe’s C.A.P., the Rue de la Loi, Ireland (the harp) enslaved by dependence on FDI, the Ukraine war, the devil as a bird (Eagle?) and other uncannily prescient symbols and parallels in this painting.
    Michelangelo features Bosch in his Last Judgement as a motherly figure on the side of good, a mother of inventive, ambitious symbolic allegorical and visionary art perhaps? Hieronymous Bosch spent many years on this fabulous masterpiece. Thanks to Olveira’s work I think we can come to see Bosch as a prophetic visionary of Europe’s destiny and his Garden among the very greatest art treasures.

  • Arthur Dent

    …The Dalai Lama has not made his appearance on this cover although he is responsible for building strong relations with the U.S. and of all American states to have a university programme with the holy Kingdom of Bhutan, Colorado [where Khazanah owns the airport and where the grey and Reptilian bases are heavy beneath the ground] – Colorado is the key state with strong relations to the holy Kingdom and he has not warned the populace of the greys being connected through the state being a threat in the near future for the holy Kingdom.

    Aung San Su Kyi is pictured but I am surprised the Dalai Lama is missing in action from the balancing of these leaders …could the clue be not who is presented but who is hidden behind each one?

    North Korea’s Kim is also not pictured here on this particular cover [or is that him in the very back there with the mushroom cloud?]… Queen of England, Nathaniel, etc.?

  • catalanismo is hatred

    sorry but the last september it was going to be cathatrophic and it was not, people all the time are begging for apocalypse, aren´t you tired?

  • jodee

    The arrows could represent 13/11/15 and nestled behind, is a Mona Lisa like painting. ?