{"id":256916,"date":"2016-07-20T08:34:19","date_gmt":"2016-07-20T08:34:19","guid":{"rendered":"http:\/\/rinf.com\/alt-news\/newswire\/letting-tarzan-swing-through-history\/"},"modified":"2016-07-20T08:34:19","modified_gmt":"2016-07-20T08:34:19","slug":"letting-tarzan-swing-through-history","status":"publish","type":"post","link":"http:\/\/rinf.com\/alt-news\/newswire\/letting-tarzan-swing-through-history\/","title":{"rendered":"Letting Tarzan Swing Through History"},"content":{"rendered":"<div>\n<p><i>Originally posted at <a href=\"http:\/\/www.tomdispatch.com\/\">TomDispatch<\/a>.<\/i><\/p>\n<p>At almost 72, I recently went to <em>The Legend of Tarzan<\/em>, the IMAX version, &#13;<br \/>\n  with a screen so big I almost stepped inside it and a soundscape so all-enveloping &#13;<br \/>\n  that my already pathetic hearing might have been blown away for good.  &#13;<br \/>\n  Still, however \u201cimmersive\u201d the experience was meant to be, I found &#13;<br \/>\n  it so much less thrilling than the 3-D of my childhood.  I\u2019ll never &#13;<br \/>\n  forget watching <em><a href=\"http:\/\/www.imdb.com\/title\/tt0045784\/\">Fort Ti<\/a><\/em> &#13;<br \/>\n  in 1953 at age nine and hitting the floor the moment the first flaming arrow &#13;<br \/>\n  headed directly for me.<\/p>\n<p>As for Tarzan, what were they thinking in Hollywood?  I watched bemused &#13;<br \/>\n  as the Ape Man flexed his creaking joints, swung from vine to vine, and fought &#13;<br \/>\n  all manner of friend and foe in an effort to be up-to-date.  If you want &#13;<br \/>\n  to see a white savior film that\u2019s more of our moment, check out <em>T<\/em><em>he &#13;<br \/>\n  Free State of Jones<\/em>, set in the \u201cjungles\u201d of southern Mississippi &#13;<br \/>\n  in the Civil War era, with plenty of Tarzan-style vines to go around.  &#13;<br \/>\n  All I can say is that, as far as I was concerned, only the animated great apes &#13;<br \/>\n  \u2013 Tarzan\u2019s buddies and rivals \u2013 showed a spark of real life.<\/p>\n<p>Still, I wouldn\u2019t have missed the film for the world. After all, it\u2019s &#13;<br \/>\n  the first action movie that \u2013 as you\u2019ll see from <a href=\"http:\/\/www.tomdispatch.com\/blog\/176117\/tomgram%3A_adam_hochschild,_a_corporation_goes_to_war\/\"><em>TomDispatch<\/em> &#13;<br \/>\n  regular<\/a> Adam Hochschild\u2019s piece today \u2013 has ever based itself &#13;<br \/>\n  in any way on a book I edited, in this case his classic <a href=\"http:\/\/www.amazon.com\/dp\/0618001905\/antiwarbookstore\"><em>King &#13;<br \/>\n  Leopold\u2019s Ghost: A Story of Greed, Terror and Heroism in Colonial Africa<\/em><\/a>.  &#13;<br \/>\n  As a result, I left the theater filled with wild fantasies.  (Even editors &#13;<br \/>\n  can dream, can\u2019t they?)  I began to imagine <a href=\"https:\/\/www.amazon.com\/Who-Rules-World-Noam-Chomsky\/dp\/162779381X\/antiwarbookstore\"><em>Who &#13;<br \/>\n  Rules the World?<\/em><\/a>, Noam Chomsky\u2019s <a href=\"http:\/\/www.tomdispatch.com\/blog\/176137\/\">latest<\/a> &#13;<br \/>\n  book, absorbed into a future <em>X-Men: Apocalypse America<\/em>. Or the <a href=\"http:\/\/www.tomdispatch.com\/blog\/175739\/Johnson_best_of\">late<\/a> &#13;<br \/>\n  Chalmers Johnson\u2019s <a href=\"https:\/\/www.amazon.com\/Dismantling-Empire-Americas-American-Project\/dp\/0805094237\/antiwarbookstore\"><em>Dismantling &#13;<br \/>\n  the Empire<\/em><\/a> as the basis for the next Jason Bourne romp.  Or Ann &#13;<br \/>\n  Jones\u2019s <a href=\"https:\/\/www.amazon.com\/They-Were-Soldiers-Wounded-Americas\/dp\/1608463710\/antiwarbookstore\"><em>They &#13;<br \/>\n  Were Soldiers<\/em><\/a> at the grim heart of <em>American Sniper: The Next Generation<\/em>.  &#13;<br \/>\n  Or, in Tarzan-style, Andrew Bacevich\u2019s <a href=\"http:\/\/www.tomdispatch.com\/blog\/176147\/tomgram%3A_andrew_bacevich,_america's_sinkhole_wars\/\">writing<\/a> &#13;<br \/>\n  on America\u2019s twenty-first-century Middle Eastern wars as part of a reboot &#13;<br \/>\n  of <em>Lawrence of Arabia <\/em> \u2013 perhaps<em> <\/em><a href=\"http:\/\/www.tomdispatch.com\/post\/176160\/tomgram%3A_nick_turse,_revolving_doors,_robust_rolodexes,_and_runaway_generals\/\"><em>King &#13;<br \/>\n  David<\/em><\/a><em> of Iraq: The Surge to Nowhere<\/em>.<\/p>\n<p>Now, let me dream on while you read about Adam Hochschild\u2019s encounter &#13;<br \/>\n  with what might be thought of as the latest version of <em>Planet of the Apes<\/em>. &#13;<br \/>\n  <em>~\u00a0Tom<\/em><\/p>\n<p><strong>Me Tarzan, You Adam<\/strong><br \/><strong>How I Met the Ghosts of My Own Work in a Local Multiplex<\/strong><br \/><b>By Adam Hochschild<\/b><\/p>\n<p>Some time ago I wrote a book about one of the great crimes of the last 150 &#13;<br \/>\n  years: the conquest and exploitation of the Congo by King Leopold II of Belgium. &#13;<br \/>\n  When <a href=\"http:\/\/www.amazon.com\/dp\/0618001905\/antiwarbookstore\"><em>King &#13;<br \/>\n  Leopold\u2019s Ghost: A Story of Greed, Terror and Heroism in Colonial Africa<\/em><\/a><em> &#13;<br \/>\n  <\/em>was published, I thought I had found all the major characters in that brutal &#13;<br \/>\n  patch of history. But a few weeks ago I realized that I had left one out: Tarzan.<\/p>\n<p>Let me explain. Although a documentary <a href=\"https:\/\/www.amazon.com\/King-Leopolds-Ghost-Adam-Hochschild\/dp\/B00RBRZI0M\">film<\/a> &#13;<br \/>\n  based on my book did appear, I often imagined what&#8230;<\/p>\n<\/div>\n<p><a href=\"http:\/\/original.antiwar.com\/engelhardt\/2016\/07\/19\/letting-tarzan-swing-history\/\">Read more<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Originally posted at TomDispatch. At almost 72, I recently went to The Legend of Tarzan, the IMAX version, &#13; with a screen so big I almost stepped inside it and a soundscape so all-enveloping &#13; that my already pathetic hearing might have been blown away for good. &#13; Still, however \u201cimmersive\u201d the experience was meant [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[519],"tags":[],"class_list":{"0":"post-256916","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-newswire"},"_links":{"self":[{"href":"http:\/\/rinf.com\/alt-news\/wp-json\/wp\/v2\/posts\/256916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/rinf.com\/alt-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/rinf.com\/alt-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/rinf.com\/alt-news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/rinf.com\/alt-news\/wp-json\/wp\/v2\/comments?post=256916"}],"version-history":[{"count":0,"href":"http:\/\/rinf.com\/alt-news\/wp-json\/wp\/v2\/posts\/256916\/revisions"}],"wp:attachment":[{"href":"http:\/\/rinf.com\/alt-news\/wp-json\/wp\/v2\/media?parent=256916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/rinf.com\/alt-news\/wp-json\/wp\/v2\/categories?post=256916"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/rinf.com\/alt-news\/wp-json\/wp\/v2\/tags?post=256916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}