America’s wars in the post-9/11 era have been characterized by relatively low U.S. casualties, but that does not mean that they are any less violent than previous wars, Nicolas J.S. Davies observes.
By Nicolas J.S. Davies
Last Sunday’s Oscar Awards were interrupted by an incongruous propaganda exercise featuring a Native American actor and Vietnam vet, featuring a montage of clips from Hollywood war movies.
The actor, Wes Studi, said that he “fought for freedom” in Vietnam. But anyone with even a rudimentary understanding of that war, including for instance the millions of viewers who watched Ken Burns’ Vietnam War documentary, knows that it was the Vietnamese who were fighting for freedom – while Studi and his comrades were fighting, killing and dying, often bravely and for misguided reasons, to deny the people of Vietnam that freedom.
Studi introduced the Hollywood movies he was showcasing, including “American Sniper,” “The Hurt Locker” and “Zero Dark Thirty,” with the words, “Let’s take a moment to pay tribute to these powerful films that shine a great spotlight on those who have fought for freedom around the world.”
To pretend to a worldwide TV audience in 2018 that the U.S. war machine is “fighting for freedom” in the countries it attacks or invades was an absurdity that could only add insult to injury for millions of survivors of U.S. coups, invasions, bombing campaigns and hostile military occupations all over the world.
Wes Studi’s role in this Orwellian presentation made it even more incongruous, as his own Cherokee people are themselves survivors of American ethnic cleansing and forced displacement on the Trail of Tears from North Carolina, where they had lived for hundreds or maybe thousands of years, to Oklahoma where Studi was born.
Unlike the delegates at the 2016 Democratic National Convention who broke out in chants of “no more war” at displays of militarism, the great and the good of Hollywood seemed nonplussed by this strange interlude. Few of them applauded it, but…