Syria, Then and Now | Dissident Voice

Recently, even the Western art sphere has gotten in on the act. Saudi soft power and the U.S. art elite have joined forces in a troubling alliance for a cultural campaign of disinformation aimed at U.S. art-going audiences. From this past October until January 13th, on view at the Brooklyn Museum in New York was the exhibition “Syria, Then and Now: Stories from Refugees a Century Apart,| featuring the work of three contemporary artists centered on Syria’s ongoing humanitarian crisis. On the surface, the display championed the plight of the millions of displaced Syrian citizens who fled the conflict to both surrounding countries in the region and the West. Unfortunately, the showcase featured a heavily biased pro-opposition and Russophobic narrative while the enormous conflict of interest behind the organization and sponsorship of the exposition was undisclosed to visitors.The exhibit is one of several ventures organized by the Arab Art Education Initiative (AAEI), a huge project in collaboration with some of the wealthiest and most illustrious art institutions in New York City, including the Metropolitan Museum of Art, Museum of Modern Art (MoMA), Solomon R. Guggenheim Museum, Brooklyn Museum, and Columbia University. The AAEI’s anodyne endeavor is to “connect contemporary Arab culture with diverse audiences across the five boroughs of New York City, bringing together a coalition of artists and institutions to build greater understanding between the United…

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