My previous post was about the firing of a cartoonist, Dieter Hanitzsch, by the German newspaper Süddeutsche Zeitung after its editor became concerned – though, it seems, far from sure – that a cartoon he had published of Benjamin Netanyahu might be anti-semitic. Here is the image again.
As I argued then, the meaning seems pretty clear and uncoloured by any traditional notion of anti-semitism. It shows the danger that Israel, a highly militarised state, will use its win at the Eurovision song contest, and its hosting of next year’s competition in occupied Jerusalem, to whitewash the sort of war crimes it just committed in Gaza, where it has massacred large numbers of unarmed Palestinians.
In fact, the cartoonist is far from alone in highlighting such concerns. The New York Times has reported delight among Israelis at the prospect of what they regard as a “diplomatic victory” as much as musical one. And, according to the Haaretz newspaper, the Eurovision contest organisers have already expressed concern to Israeli broadcasters about likely attempts by Israel to “politicise” the competition.
Among those responding on Twitter to my post was Naomi Wolf, a US Jewish intellectual and feminist scholar whose body of work I admire. She disagreed with my blog post, arguing that the cartoon was, in her words, “kind of anti-semitic”.