A Blacklisted Film and the New Cold War

Special Report: As Congress still swoons over the anti-Kremlin Magnitsky narrative, Western political and media leaders refuse to let their people view a documentary that debunks the fable, reports Robert Parry.

By Robert Parry

Why is the U.S. mainstream media so frightened of a documentary that debunks the beloved story of how “lawyer” Sergei Magnitsky uncovered massive Russian government corruption and died as a result? If the documentary is as flawed as its critics claim, why won’t they let it be shown to the American public, then lay out its supposed errors, and use it as a case study of how such fakery works?

Film director Andrei Nekrasov, who produced “The Magnitsky Act: Behind the Scenes.”

Instead we – in the land of the free, home of the brave – are protected from seeing this documentary produced by filmmaker Andrei Nekrasov who was known as a fierce critic of Russian President Vladimir Putin but who in this instance found the West’s widely accepted Magnitsky storyline to be a fraud.

Instead, last week, Senate Judiciary Committee members sat in rapt attention as hedge-fund operator William Browder wowed them with a reprise of his Magnitsky tale and suggested that people who have challenged the narrative and those who dared air the documentary one time at Washington’s Newseum last year should be prosecuted for violating the Foreign Agent Registration Act (FARA).

It appears that Official Washington’s anti-Russia hysteria has reached such proportions that old-time notions about hearing both sides of a story or testing out truth in the marketplace of ideas must be cast aside. The new political/media paradigm is to shield the American people from information that contradicts the prevailing narratives, all the better to get them to line up behind Those Who Know Best.

Nekrasov’s powerful deconstruction of the Magnitsky myth – and the film’s subsequent blacklisting throughout the “free world” – recall other instances in which the West’s propaganda lines don’t stand up to scrutiny, so censorship and ad hominem attacks become the weapons of choice to defend “perception management” narratives in geopolitical hot…

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