Tibet, Kabbalah, creation, destruction, tofu dog to go

I’m not going to expose some hidden code. I’m not going to tear apart chunks of text and show you what’s behind the veil. That’s a misdirection.

You can find codes in War and Peace if you want to, or in labels that list all the ingredients in the weird junk kids buy at AM-PM stores on gas-station property.


Here it is.

The Kabbalah is about…

The Kabbalah.

That’s the secret. That’s the real impetus behind it. That’s the driving force. That’s the headwind and the tailwind and the engine and the fuel.

That’s what it was always about.

Of course, most contributors to it never realized that. They were caught in the net of the themes, the threads, the topics, the arguments, the logic, the exegesis.

Think about it. If you’re going to write thousands of pages of something, and many people are going to author it together, for centuries, you need a broad compelling subject to bring them into the act. You want that net.

So the stated theme, the net that dragged in authors, was HOW DOES MAN APPROACH GOD. That was floated, and then authors were happy and they could write reams on that subject, and they did. They were motivated. They could bring a lot to the table.

The Kabbalah is about the Kabbalah, though, because the top men who started it had a closeted idea. It was what you’d call a meta-idea. They didn’t want to bring that idea out into the light, because if they had, everyone would have frowned and gone home before the text ever got off the ground. Everyone would have said, “Aw, that’s ridiculous! How can we take off on that? It’s too stark. It’s too simple. It’s too wide. It’s too permissive.”

These top few men who started the Kabbalah, as I said, had a secret meta-idea. Not the stated theme. Their secret idea was: YOU APPROACH GOD (or Ultimate), YOU GET CLOSER THROUGH…PROLIFERATION.

Proliferation of what?


Human creation.

Creation, in particular, of more language, more poetry, more philosophy, more knowledge, more science, more learning…but most of all, through more language, new invented poetic metaphorical suggestive language.

If they could get many authors to jump in and write about the stated (not the real) theme, they would, in fact, over time, get more proliferation of language, more poetry. Yes. You see?

And that’s what happened.

It was a rather sensational strategy:

State a theme that will bring in many authors, who will then write for centuries, developing extensions of language as they do so…these authors will focus on how to approach The Ultimate–that will be their stated subject–but ACTUALLY, they will be carrying out (unconsciously) the real mission by proliferating language and poetry…because you can’t get close to Ultimate without making language stretch into metaphor…you can’t use mechanical language to move beyond a certain point down the road…

There is another reason why this is an interesting strategy. To move humanity (if it will ever be moved) into a truly new and much wider state of consciousness, you need art. But not just a piece here or a piece there, A FLOOD.

You need a flood (a vast proliferation) of art in all directions, so that the reality we accept as solid and restrictive and final (Smart and Final) becomes the loosely woven fabric it actually IS. With gaping holes. So what then comes to the fore is the creation of many many artists acting on their own. Millions and millions and millions of artists inventing new and powerful realities.

You NEVER need reduction and narrowing and bowing and scraping before the pillars of consensus reality. That’s a hoax. You NEVER need that. You need endless proliferation.

But you see, in modern times, there is a great emphasis on precision and tight asses. That’s the case. So there is a tendency to reduce and reduce and distill and forget that the royal highway is proliferation.

To remind one’s self of the real and greater energy, you might return to Walt Whitman and Melville and Dostoevsky and Henry Miller and Goya and early Stravinsky and Lenny Bruce and so on…

Really, the force behind Kabbalah wasn’t about walking up to the door and knocking on it and shaking hands with MR. ULTIMATE, it was about the thunderous expansion of metaphor, which is poetry, which is what meaning is when meaning shrugs off its shell of sheer literal mimicry of the physical world.


The invention of worlds.

Entering into realms that had previously been hidden to you. The shapes of your experience widening and deepening.

Isn’t this, in fact, what people hope to gain from the study of arcane metaphysics and cosmology and “ancient mysteries?”

Except in this case, there is no external guide that directs your consciousness down specified roads and paths defined by “the wise ones.” All that baggage is gone. Gone, too, are the pretended principles of WHAT ULTIMATELY EXISTS.

The arrival of sweeping “earth changes,” the landing of visitors from space or other dimensions, gods, holy scriptures, channeled information, sacred geometry, cosmologies erected by priests and secret societies…all the objects and entities which people tend to treat as authorities and “permission-givers” and game-changers and wisdom sources…all those things no longer carry their former weight and gravitas…

Instead of sensing that some revelation is at hand, you’re inventing your own revelations, by the truckload.

You’re not crouched inside some space hoping for the arrow of truth to arrive, you’re outside that space inventing new universes.

You’re not waiting for The Big Green Light in the Sky to confirm what you’ve been led to believe is ultimate truth…you’re free.

In other words, you’re an artist.

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

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